Shahid Beheshti UniversityJournal of History of Literature2008-73498220160121Comparative investigation of generosity and chivalry category mystical prose texts by the end of the sixth century ADComparative investigation of generosity and chivalry category mystical prose texts by the end of the sixth century AD52698846FAJournal Article20151022Faith in Iran have a long history to the time before Islam Rsd.yyn Vqdmt Vjvanmrdy generosity has been two hills Vpyvsth social approach to human evolution led Fetyān to two different aspects Ast.ftvt Nsrrfany literature as well as The truth has always been considered one of the methods of attaining the various aspects of religion, chivalry Ast.drayn works including aspects of personal, social, divine as well as customs fetyān mentioned, but most attention is the author of texts Nsrrfany understand theory and definition of chivalry dealt Vtfsyrvazhh This Economic Letter Tfsyrftvt the authoring perspective And.drayn Sufi mystical prose texts by the end of the sixth century AD, studied scientific Qrarbdhym.rvsh our research and analysis in this research is descriptive analysis.Faith in Iran have a long history to the time before Islam Rsd.yyn Vqdmt Vjvanmrdy generosity has been two hills Vpyvsth social approach to human evolution led Fetyān to two different aspects Ast.ftvt Nsrrfany literature as well as The truth has always been considered one of the methods of attaining the various aspects of religion, chivalry Ast.drayn works including aspects of personal, social, divine as well as customs fetyān mentioned, but most attention is the author of texts Nsrrfany understand theory and definition of chivalry dealt Vtfsyrvazhh This Economic Letter Tfsyrftvt the authoring perspective And.drayn Sufi mystical prose texts by the end of the sixth century AD, studied scientific Qrarbdhym.rvsh our research and analysis in this research is descriptive analysis.https://hlit.sbu.ac.ir/article_98846_0f773f2ce56bf47fecac77d15e2c8476.pdfShahid Beheshti UniversityJournal of History of Literature2008-73498220160121Analysation of some Budhistic Dharma CharacteristicsAnalysation of some Budhistic Dharma Characteristics273698844FAJournal Article20151220Tariqat al-Adab composed by Mohammad Hosain pen-named Bidar-e Tabrizi, is a book written in Nasta’liq calligraphy by Najafqoli Hashtroudi known as Sheykh al-Kottab in 1351 AH or 1311 SH lithographed in Tabriz. The work is apparently selected from Collection of Bidar-e Tabrizi’s Shir-o Shekar that is presumably composed during 1280 to 1310AH. This work is arranged in twelve chapters which are chiefly about didactic, moral and social traditions of the age. The book is written in simple prose and popular style. There are verses in Gazal and short Mathnavi with religious, moral and social themes. Tariqat al-Adab generally is among the didactic and advice books and has a personal folkloric style. This paper answers the questions that the book is about what basic and fundamental themes, which style and what is the composer’s writing method.Tariqat al-Adab composed by Mohammad Hosain pen-named Bidar-e Tabrizi, is a book written in Nasta’liq calligraphy by Najafqoli Hashtroudi known as Sheykh al-Kottab in 1351 AH or 1311 SH lithographed in Tabriz. The work is apparently selected from Collection of Bidar-e Tabrizi’s Shir-o Shekar that is presumably composed during 1280 to 1310AH. This work is arranged in twelve chapters which are chiefly about didactic, moral and social traditions of the age. The book is written in simple prose and popular style. There are verses in Gazal and short Mathnavi with religious, moral and social themes. Tariqat al-Adab generally is among the didactic and advice books and has a personal folkloric style. This paper answers the questions that the book is about what basic and fundamental themes, which style and what is the composer’s writing method.https://hlit.sbu.ac.ir/article_98844_3cd0dfae3ac612051e2f4094a3407a68.pdfShahid Beheshti UniversityJournal of History of Literature2008-73498220160121375698845FAJournal Article20180212https://hlit.sbu.ac.ir/article_98845_d6112c3a3057fe43bbbbfaf5107f1254.pdfShahid Beheshti UniversityJournal of History of Literature2008-73498220160121The Critical Edition Necessity of Fakhri Heravi’s Latayif-Namh [First Translation of Navai’s Majalis-Alnfayis[The Critical Edition Necessity of Fakhri Heravi’s Latayif-Namh [First Translation of Navai’s Majalis-Alnfayis[578898848FAJournal Article20150517Majalis-Alnfayis is a one of basic and important biographis correlate ninth and early tenth century literary history that Fakhri Heravi translated it into Farsi in 928 year as Latayif-Namh and Ali Asghar Hekmat is published this translation in 1323 year based on the Nakhjivani’s manuscript that is scribe in 992 year. The study and confrontation of Hekmat’s print and four manuscripts of Majalis-Alnfayis and Latayif-Namh that all are Authentic and Oldest of the Nakhjivani’s manuscript, is necessary Critical Edition Latayif-Namh, because, First, the newfound manuscript is Explained biography about thirty-five poets that not mentioned in the Hekmat’s print to them; Second, is recorded in newfound manuscripts information about some poets and their poetry that not mentioned in the Hekmat’s print to them; Third, there is conflicts and errors in the Hekmat’s print toward newfound manuscripts that mostly to these errors related to poets pseudonym or name, or related to their biography and poetry; Four, there is clearances in text some pages of he Hekmat’s print that mostly these clearances related to poets pseudonym or name, too; Five, there is ambiguities in some phrases means in the Hekmat’s print that is disappear by newfound manuscripts; Six, is not separation the exact boundaries between turkish text translation and translator’s exensions in the Hekmat’s print; Seven, there is not harmony and proportion between two Fakhri’s translation and Qazvini’s translation in the Hekmat’s print.Majalis-Alnfayis is a one of basic and important biographis correlate ninth and early tenth century literary history that Fakhri Heravi translated it into Farsi in 928 year as Latayif-Namh and Ali Asghar Hekmat is published this translation in 1323 year based on the Nakhjivani’s manuscript that is scribe in 992 year. The study and confrontation of Hekmat’s print and four manuscripts of Majalis-Alnfayis and Latayif-Namh that all are Authentic and Oldest of the Nakhjivani’s manuscript, is necessary Critical Edition Latayif-Namh, because, First, the newfound manuscript is Explained biography about thirty-five poets that not mentioned in the Hekmat’s print to them; Second, is recorded in newfound manuscripts information about some poets and their poetry that not mentioned in the Hekmat’s print to them; Third, there is conflicts and errors in the Hekmat’s print toward newfound manuscripts that mostly to these errors related to poets pseudonym or name, or related to their biography and poetry; Four, there is clearances in text some pages of he Hekmat’s print that mostly these clearances related to poets pseudonym or name, too; Five, there is ambiguities in some phrases means in the Hekmat’s print that is disappear by newfound manuscripts; Six, is not separation the exact boundaries between turkish text translation and translator’s exensions in the Hekmat’s print; Seven, there is not harmony and proportion between two Fakhri’s translation and Qazvini’s translation in the Hekmat’s print.https://hlit.sbu.ac.ir/article_98848_2c61415cb0da6e87c2c7f0c7363c4930.pdfShahid Beheshti UniversityJournal of History of Literature2008-73498220160121Evaluation of some overlapping and differences between the Shahnameh, Jamshid Garshasbnameh and working on a Fereydoun, Mazandaran . . .Evaluation of some overlapping and differences between the Shahnameh, Jamshid Garshasbnameh and working on a Fereydoun, Mazandaran . . .8910698850FAJournal Article20151206At the end of the Sassanian era and the early Islamic period, ancient history has been written and has taken it out of oral form and has been called it “Khoday name”. Since, these documents were boring, and out of print, people like Ferdowsi brought it to poetry and add it elegance and literary industries and gave them a very nice atmosphere. Fifth and sixth-century epic poets put Ferdowsi as their model and his defects were completed with other epic one. Wherever they encountered something wrong in Shahnameh or saw an expression needed to explain, with respect to Ferdowsi, issues were resolved.
In this paper, we have examined the books “Garshasb name” and “Kush name” which written by “Asadi Toosi” and “Iranshah-ibn-Abilkheir”. In these books, Ferdowsi differences about “Jamshid”, “Barmayen”, “Dive Sefid”, and “Mazandaran” was expressed in very pleasant manner.At the end of the Sassanian era and the early Islamic period, ancient history has been written and has taken it out of oral form and has been called it “Khoday name”. Since, these documents were boring, and out of print, people like Ferdowsi brought it to poetry and add it elegance and literary industries and gave them a very nice atmosphere. Fifth and sixth-century epic poets put Ferdowsi as their model and his defects were completed with other epic one. Wherever they encountered something wrong in Shahnameh or saw an expression needed to explain, with respect to Ferdowsi, issues were resolved.
In this paper, we have examined the books “Garshasb name” and “Kush name” which written by “Asadi Toosi” and “Iranshah-ibn-Abilkheir”. In these books, Ferdowsi differences about “Jamshid”, “Barmayen”, “Dive Sefid”, and “Mazandaran” was expressed in very pleasant manner.https://hlit.sbu.ac.ir/article_98850_96072ac037cbf6c5a0829593b6a5122f.pdfShahid Beheshti UniversityJournal of History of Literature2008-73498220160121Stylistic study of the structure and function of passive verb on sixth centurey proseStylistic study of the structure and function of passive verb on sixth centurey prose10713098840FAJournal Article20160106Assessment of the stylistic and grammatical relationships in the study of components of a context on the relationship between languages, slogans and their effect on creating meanings can help in explaining linguistic and non-linguistic mechanisms. In certain periods of time, choices affected by different levels of linguistic, literary,… is one of the fundamental factors in the formation of structural distinctions and semantic patterns of a context.
In addition to the structural diversity, passive verb indicates other aspects of meaning and also various functions in the six-century prose style and structure of related texts that is very significant in the context of various genres. In this study we have examined the structure and function of the passive verbs in six literal text of the sixth century AH. The data Acquisition of passive verbs of these texts were separately done and then were analyzed and investigated in the statements in terms of semantic. Since the studied texts are of different type of genres as historical, educational-mystic-,…, differences in genres and different semantic context has sometimes revealed contradictory functions and various aspects of the passive verb. According to the studied texts, some of the functions of the passive verb is statement of the general verdict, conveying the meaning of power and social status, conveying the implied message and meaning.Assessment of the stylistic and grammatical relationships in the study of components of a context on the relationship between languages, slogans and their effect on creating meanings can help in explaining linguistic and non-linguistic mechanisms. In certain periods of time, choices affected by different levels of linguistic, literary,… is one of the fundamental factors in the formation of structural distinctions and semantic patterns of a context.
In addition to the structural diversity, passive verb indicates other aspects of meaning and also various functions in the six-century prose style and structure of related texts that is very significant in the context of various genres. In this study we have examined the structure and function of the passive verbs in six literal text of the sixth century AH. The data Acquisition of passive verbs of these texts were separately done and then were analyzed and investigated in the statements in terms of semantic. Since the studied texts are of different type of genres as historical, educational-mystic-,…, differences in genres and different semantic context has sometimes revealed contradictory functions and various aspects of the passive verb. According to the studied texts, some of the functions of the passive verb is statement of the general verdict, conveying the meaning of power and social status, conveying the implied message and meaning.https://hlit.sbu.ac.ir/article_98840_ee09d0e927b6f312b0653271e0b0551f.pdfShahid Beheshti UniversityJournal of History of Literature2008-73498220160121The Necessity for Re-Correction of Kamaloddin Esfahanes Court poetryThe Necessity for Re-Correction of Kamaloddin Esfahanes Court poetry13115698841FAJournal Article20150912Kamaloddin Esfahani is one of the prominent Persian poets in the sixth century AD that according to the researchers, has been influential in the development of Persian poetry. Hussein Bahroloumi, has conducted the first scientific correction of his Court more than forty years ago based on several manuscripts but with the discovery of several other manuscripts of poems Kamaloddin, it is necessary to correct again. During the correction again this effect, in addition to the elimination of many of the shortcomings of the previous correction, edited text will be closer to the text of poet for the literary society. This study seeks to underline the shortcomings and increasingly are selected for display with some correction in writing and poetry Kamaloddin, as well as the reasons and evidence, express the need for re-correction.
Failure to record or incomplete record some lyrics Kamaloddin, record Lyrics others called Kamaloddin, repeat Lyrics, distortion, improper preferences, and wrong in recognizing words and combinations, headlines cases that is presented to them in this study. The methodology is to documentary and using library facilities and methods of content analysis and data classification. Kamaloddin position Esfahani in Persian poetry and the need to study about him, stating the importance and necessity of research and the results of this study illustrate the need to correct the poetry Kamaloddin Esfahani.Kamaloddin Esfahani is one of the prominent Persian poets in the sixth century AD that according to the researchers, has been influential in the development of Persian poetry. Hussein Bahroloumi, has conducted the first scientific correction of his Court more than forty years ago based on several manuscripts but with the discovery of several other manuscripts of poems Kamaloddin, it is necessary to correct again. During the correction again this effect, in addition to the elimination of many of the shortcomings of the previous correction, edited text will be closer to the text of poet for the literary society. This study seeks to underline the shortcomings and increasingly are selected for display with some correction in writing and poetry Kamaloddin, as well as the reasons and evidence, express the need for re-correction.
Failure to record or incomplete record some lyrics Kamaloddin, record Lyrics others called Kamaloddin, repeat Lyrics, distortion, improper preferences, and wrong in recognizing words and combinations, headlines cases that is presented to them in this study. The methodology is to documentary and using library facilities and methods of content analysis and data classification. Kamaloddin position Esfahani in Persian poetry and the need to study about him, stating the importance and necessity of research and the results of this study illustrate the need to correct the poetry Kamaloddin Esfahani.https://hlit.sbu.ac.ir/article_98841_30fd53bb27f6a268d95e328ecf066c9d.pdfShahid Beheshti UniversityJournal of History of Literature2008-7349822016012115718498842FAJournal Article20180212https://hlit.sbu.ac.ir/article_98842_ef0468242912c8d4391ea6e67cc71c41.pdfShahid Beheshti UniversityJournal of History of Literature2008-73498220160121A few Comments on Narration Techniques in Tarjeme-ye Tafsir-e TabariA few Comments on Narration Techniques in Tarjeme-ye Tafsir-e Tabari18521998843FAJournal Article20150712To have a better analysis of the Persian literature, one needs to consider its remaining masterpieces. “Tarjeme-ye Tafsir-e Tabari”, as one of the eldest Persian literary works, has been widely studied. Yet, this collection of stories has rarely been investigated from a narratological perspective. To this end, it is discussed that this collection of stories has been formed in the literary and cultural context of the fourth century hijri, and is comparable to its contemporary masterpieces such as Shahname (The Story of Kings). Having explored the narration techniques in this work, we realized that Tarjeme-ye Tafsir-e Tabari follows a rule-based narration procedure which can be studied and detected. It depicts a persistent conflict between good and evil from creation of Adam to resurrection. This work involves Bani Israil prophets' stories and the beginning of Islam stories. In these stories, similar themes, motifs and characters repeatedly appear. The first narrative in this work is the story of the argument between Muhammad on one hand and Jews and infidels of Mecca on the other hand; which involves the basic elements of other stories of the book.To have a better analysis of the Persian literature, one needs to consider its remaining masterpieces. “Tarjeme-ye Tafsir-e Tabari”, as one of the eldest Persian literary works, has been widely studied. Yet, this collection of stories has rarely been investigated from a narratological perspective. To this end, it is discussed that this collection of stories has been formed in the literary and cultural context of the fourth century hijri, and is comparable to its contemporary masterpieces such as Shahname (The Story of Kings). Having explored the narration techniques in this work, we realized that Tarjeme-ye Tafsir-e Tabari follows a rule-based narration procedure which can be studied and detected. It depicts a persistent conflict between good and evil from creation of Adam to resurrection. This work involves Bani Israil prophets' stories and the beginning of Islam stories. In these stories, similar themes, motifs and characters repeatedly appear. The first narrative in this work is the story of the argument between Muhammad on one hand and Jews and infidels of Mecca on the other hand; which involves the basic elements of other stories of the book.https://hlit.sbu.ac.ir/article_98843_9a64b68ff2c9b354218e4b014519f28c.pdf