Investigating thematic and content diversity in Ghazaliyat of Attar
سیّده مریم
ابوالقاسمی
دانشگاه شهید بهشتی
author
text
article
2009
per
Farid al-Din Attar (627 AD), in addition to his sublime and outstanding masnavis, is also the innovator of a special style and expression in ghazal, which has been very influential in the evolution of the Persian ghazal, especially the mystical ghazal. Attar's ghazal has special prominence and importance in Persian poetry in terms of expressive techniques, essence and poetic content, and diversity of different topics. Mystical topics, Qalandriyyas, description, lyricism, expression of inner experiences and states and advice are among the various topics of his ghazaliyat; Also, the most diverse, innovative and prominent interpretations of profligacy and Qalandari can be seen in Attar's poetry. In this article, along with the thematic division of Attar's ghazaliyat, we will review the prominent features of these ghazals, especially in terms of concept and content.
Literature History
Shahid Beheshti University
2008-7349
2
v.
2
no.
2009
https://hlit.sbu.ac.ir/article_98577_28b0c9f96b0cfdfffc0ed804fe9a3424.pdf
Investigating the elements of the structure of political-social ghazals in the poems of Houshang Ebtahaj and Shafiei Kadkani
ابراهیم
اقبالی
دانشگاه تبریز
author
حسین
رسول زاده
دانشگاه تبریز
author
text
article
2009
per
Ghazal has always been the focus of poets. During the Constitutional period, this format was used to express political and social issues, and despite the success it achieved, it could not be popular with the public. With the emergence of "modern poetry" a transformation occurred in contemporary Iranian literature and affected the poetic formats. By combining some elements of "modern poetry", Houshang Ebtahaj and Shafi'i Kadkani were able to compose a kind of ghazal (which, while maintaining the traditional structure of ghazal, also had some features of modern poetry)-. These ghazals can be called "modern ghazals". The elements that play a major role in the construction of these sonnets are: the use of Hafez's expressive style, the symbolic nature of the ghazal both in terms of words and images, the use of nature elements, and the use of national and historical elements. In this article, these elements have been examined in the social-political ghazals of A. Sayeh and Shafi'i Kadkani.
Literature History
Shahid Beheshti University
2008-7349
2
v.
2
no.
2009
https://hlit.sbu.ac.ir/article_98575_622ceb6f789648cee9fb5e9098ed1d74.pdf
Indian style and its unsaid
محمد حسن
حائری
دانشگاه علامه طباطبایی
author
text
article
2009
per
In this article, while reviewing the political and social situations of the Safavid era with a fresh perspective, things like information, the place of words and meaning, and changes in the standard of eloquence have been investigated and new points have been expressed in a new way. Among them is the issue of the essence of the sword and the essence of the mirror and its connection with the ants, which is a scientific topic in experimental sciences and with the use of new findings and citing examples of the words of previous speakers, there is no ambiguity in this issue. In this article, the author has examined new things in the Indian style that have not been explored and paid attention to in any book or article.
Literature History
Shahid Beheshti University
2008-7349
2
v.
2
no.
2009
https://hlit.sbu.ac.ir/article_98573_ed144dcd11f8179b346707408b4f4e95.pdf
Jesus and Siavash
درّه
دادجو
دانشگاه آزاد، واحد تهران مرکز
author
text
article
2009
per
As people whose innocence and chastity are in conflict with the reality of their time, Jesus and Siavash spend their lives under the pressure of destructive force and despite all the differences in their way of life, they find similarities with each other in an innocent death. The conflict between the two dimensions of body and soul is the common element of their life and existence, and since the manner and philosophy of their death gives meaning to life, the present research moslty investigates and compares the death of these two characters from a mythological and epic point of view.
Literature History
Shahid Beheshti University
2008-7349
2
v.
2
no.
2009
https://hlit.sbu.ac.ir/article_98571_df3ecafb00efb70f0b5fe1119c430852.pdf
Narratology of Bayhaqi history -examining the structure of the narrative "The Tale of Boubaker Hasiri" based on Genet's theory
کاظم
دزفولیان
دانشگاه شهید بهشتی
author
فؤاد
مولودی
دانشگاه شهید بهشتی
author
text
article
2009
per
From the perspective of structuralism, the systematic study of the structure and form of literary works leads to the discovery of ways of producing meaning in literary texts, and the form of a literary text is like a platform in which meaning is formed; From this point of view, in order to analyze and investigate the history of thought and intellectual governing systems of literary texts, first of all, one should study and analyze the form of these texts; Since one of the main branches of structuralism is narratology, in the studies of literary history, the investigation of the course of transformation and evolution of the narration of narrative texts has a special place and importance. The present article examines and analyzes the narrative structure of "the Tale of Bubakar Hasiri" in Beyhaqi history, in order to find out that the privileged position of this outstanding work is not only due to its historical function and linguistic value in stylistic studies. In this research, from the point of view of one of the greatest structuralist narratologists, Gérard Genet, the three levels of narration (story, narrative, narration) of this work are investigated and the elements that keep this level of narration in interaction with each other (grammatical tense, mode and voice) are analyzed to find out that this work has its own narrative structure and also contrary to the opinion of some contemporary researchers - who consider the first example of a complete classical narrative to be "Yeki Bud Yeki Nabud " by Jamalzadeh, the solid and complete narration of this story should be known.
Literature History
Shahid Beheshti University
2008-7349
2
v.
2
no.
2009
https://hlit.sbu.ac.ir/article_98569_85f4ccce1623a356728848c8e4ebfeae.pdf
The effect of Nowruz in the history of Arabic literature and language
محسن
راثی
دانشگاه آزاد اسلامی، واحد تهران شمال
author
text
article
2009
per
Nowruz, this old holiday which is a treasure of pleasant traditions, has a long and instructive history. From very ancient times, the date of which is beyond the control of history, until today, this Eid with all its traditions and customs has opened its way through the ups and downs of history and great events and joined the ancient legendary world to today's age of knowledge. During its long history, this Eid has left many traces not only in the history of Iran, but also in the history of all the nations that are familiar with Iranian culture, and the traces that it left on Arabic history and literature are not low. This Eid was celebrated by the court secretaries and Iranian ministers in the Caliphate, especially during the Abbasid period, with special pomp and splendor. Arab or Arabic-speaking poets and writers have written chakamahs in congratulation of this Eid and praised and described its traditions in various ways; Therefore, this Eid has had a significant effect both in the political and social history of Arabs and in the history of Arabic language literature.
Literature History
Shahid Beheshti University
2008-7349
2
v.
2
no.
2009
https://hlit.sbu.ac.ir/article_98567_e09948688ccc4eec213e8a1c10d3de6b.pdf
Fuzuli Baghdadi and Khaqani Sherwani: two claimants of Indian style leadership
احمد
غنیپور ملکشاه
دانشگاه مازندران
author
عیسی
امنخانی
دانشگاه شهید بهشتی
author
text
article
2009
per
Finding the beginnings has always been one of the main concerns of Iranian researchers, to the extent that it can be said that Iranian researchers have focused most of their attention on this issue. Examining their research also shows the fact that they have not always reached a common result in their research, and the results obtained have shown their opinions to be scattered, as we are facing such scattered opinions in finding the beginning of the Indian style; To the extent that poets like Khaqani, Hafez, Fozuli, Baba Faqani, etc. have been mentioned as pioneers of Indian style. The authors of this article believe that one can not attribute the leadership of a style as extensive as the Indian style to a single poet; Rather, we should mention the contribution of each poet in the formation of Indian style. For this reason, two Azerbaijani poets (Fuzuli and Khaqani) were chosen to have the content of their poems analyzed and their impact on the formation of Persian poetry investigated.
Literature History
Shahid Beheshti University
2008-7349
2
v.
2
no.
2009
https://hlit.sbu.ac.ir/article_98565_c0a6f6e5a91fda47cdc8432703352a2f.pdf
Investigating Khayyam's thoughts about life and death in the world's classical poetry tradition
ناصر
نیکوبخت
دانشگاه تربیت مدرس
author
رامون
گاژا
دانشگاه تربیت مدرس
author
text
article
2009
per
The philosophy of life and events after death has been one of the unattainable mysteries of mankind throughout the history of his life. All the thinkers of the world have spoken about it in some way, but they have all admitted that this issue has been and will be the most important unsolved mystery of mankind. Among the Islamic poets and philosophers, Omar Khayyam has addressed this issue more than any other poet or writer. The main essence of Khayyam's quatrains is the answer to this problem: showing the inherent inability of human beings to answer this riddle of existence; But is what Khayyam thought and wrote, innovative or original? The present article is an examination of the background of Khayyami's thoughts in the poetry of the world's classics. In this article, an attempt was made to show Khayyam's nineteen poetic themes regarding the philosophy of life and death, to show that before Khayyam, these ideas were raised in the works of poets of the world and were a common concern of poets of the past, and that What is called Khayyami's thoughts in the writings of literary critics of Iran is not unique to Khayyam, and their reference to Khayyam is accompanied by a kind of carelessness.
Literature History
Shahid Beheshti University
2008-7349
2
v.
2
no.
2009
https://hlit.sbu.ac.ir/article_98563_27de40433022a882275c0648ebb9a48f.pdf